press

Sarah Cascone of artnet News features Zoë Buckman’s new solo exhibition, Imprison Her Soft Hand, at Project For Empty Space, attended by Sienna Miller and more, in the “This Week in Art” segment. Read the article in its entirety here.

Vogue features Zoë Buckman’s new solo exhibition, Imprison Her Soft Hand, at Project For Empty Space, attended by Sienna Miller and more. Read the article in its entirety here.

Antwaun Sargent of Vice‘s  The Creators Project features Zoë Buckman and Natalie Frank’s politically charged mural We Hold These Truths To Be Self-Evident at the Ford Foundation Live Gallery at New York Live Arts. Here’s a brief excerpt from the article “37 Politicians Get a Mural Dedicated to Their Most Shameful Comments About Women”: During the 2016 presidential

Zoë Buckman writes for British Vogue. She comments on being a Londoner in New York at a time of great political turmoil and being an artist with a feminist viewpoint who wants to make her voice count. Here is a brief excerpt from Why Protest Matters Today: Since emigrating from London in 2007 I have sought

Interview Magazine‘s Haley Weiss (photos by Victoria Stevens) interviews  Zoë Buckman about her practice, conceptual work, and consciousness raising efforts. The article touches upon new works and series, action in the present world, and a ideology behind her artistic and life practice. Here is a brief excerpt from The Consciousness Raising Artist: Now there are a bunch of

Blouin Artinfo‘s Rachel Corbett interviews artists Zoë Buckman and Natalie Frank about their upcoming mural project in collaboration with NY Live Arts. The artwork, titled We Hold These Truths to be Self-Evident, is a large scale mural that will combine imagery of the female figure along with negative, sexist statements politicians have made about women. Here is a brief excerpt from the interview, Natalie