press

Katy Donoghue of Whitewall Magazine interviews feminist artists Zoë Buckman and Natalie Frank about their upcoming mural collaboration with NY Live Arts. The piece titled We Hold These Truths to be Self-Evident  is a response to the “election” of Donald Trump. Text gathered from statements male politicians have made about women the last few years will be obscured by the image […]

Sarah Cascone of artnet News highlights works by female artists that were more than prevalent at Pulse Art Fair in Miami Beach. Zoë Buckman’s Champ from her series Mostly It’s Just Uncomfortable hung bright in color and bold in message in the PROJECTS section of the fair. Here’s a brief excerpt from the article, Female Artists Take their Rightful

This article by The Huffington Post‘s Priscilla Frank highlights an upcoming public project by feminist artists Zoë Buckman and Natalie Frank in collaboration with NY Live Arts. A large-scale mural titled We Hold These Truths to be Self-Evident  will depict the female figure juxtaposed along with negative statements politicians have made about women or regarding their

Zoë Buckman was included in a recent article by Priscilla Frank and Katherine Brooks for The Huffington Post. What It Means to be an Artist in the Time of Trump spotlights 21 artists and their expressions of their hopes, goals, and advice to fellow activists. Here is a small taste of what Buckman has to say:

Diane Solway produced The Art of Politics for the November Issue of W Magazine. In collaboration with For Freedoms, an artist run super PAC, the features includes 15 campaign advertisements created by artists. Zoë Buckman and Hank Willis Thomas’ collaborative contribution to the project is a poster that features actress, artist, and activist Jemima Kirke wearing speculum glasses

Yasha Wallin of the Edition Hotels magazine sits down with Zoë Buckman to talk about her series Every Curve for their Dreams and Desires issue, which features inspiring creatives in New York, London and Miami. Check out a PDF of the page here.