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W Magazine highlighted Zoë’s solo exhibition of Present Life in the February online edition of Eye Candy. Take a look at the slideshow at wmagazine.com

Artsy recently covered Zoe’s art, Present Life, in an Artsy Editorial that probes the contrasts of beauty through decay, birth, death and motherhood. Artsy’s M.A. Wholey reviewed Zoe’s work shown in its entirety at Garis & Hahn in New York from February 24 – March 28, 2015. Here’s a brief excerpt from Artsy’s, “Zoe Buckman’s

See why Blackbook says that stepping into Zoë Buckman’s East Village New York studio feels like “entering the mind of a manic pixie dream artist” in their article on Zoe’s contemporary art, Present Life. Here’s a brief excerpt from the article, “Zoë Buckman’s First Solo Show Keeps it Really Real”: Moments later, we were before

Zoe Buckman’s current work, Present Life, focuses on the variable nature of life through birth, motherhood and decay as displayed on various mediums. Whitewall’s Katy Donoghue caught up with Zoe to get the scoop on Present Life and the story behind the exhibit. Here’s a brief excerpt from Katy’s interview, “Zoë Buckman: Neon, Lace, and a

ArtNet News wants to know, “Why is Zoe Buckman Using Her Placenta to Create Art?” The highly personal nature of Zoe Buckman’s artwork, Present Life features her plastinated placenta as well as numerous works representing the ephemeral organ through various media like concrete, neon and photography. Cait Munro from ArtNet talked with Zoe to find

i-D Magazine caught up with British artist Zoe Buckman to get an insider’s take on her on-going artwork, Every Curve. Every Curve focuses on the female form through the conformity of vintage lingerie with the words 90’s rap lyrics from popular artists such as 2Pac and Notorious B.I.G. sewn into them. Take a read of