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Mission Magazine covers Zoe Buckman’s work and inspiration from the Mostly It’s Just Uncomfortable series to her latest in Let Her Rave. The interview highlights Zoe’s personal transformation as an artist alongside developments in her work. An excerpt from the article reads, “One, Buckman is intent on using her experience as a woman in the world to serve as […]

Issue 47-48 of The Creative Quarterly showcases Zoe Buckman as the issue’s fine art feature. The article includes an interview and pieces from Zoe Buckman’s Let Her Rave, Every Curve, and Mostly It’s Just Uncomfortable series. Find the full issue here.

The New York Times covers Zoe Buckman’s first public art sculpture, “Champ.” The 43-foot rotating piece will debut on February 27th, 2018, on the Sunset Strip of Hollywood Boulevard in Los Angeles. The Times article hailed Buckman’s sculpture as “well-positioned to be adopted as the logo of the #MeToo movement” and a “declarative image of

Artnet News published an article on what they dubbed ‘The Weinstein Effect,’ detailing the effect of gender inequality and sexual harassment on the art featured at Art Basel Miami Beach in December 2017. The article focuses on the feminist energy present at Art Basel and a panel discussion in which Zoe Buckman participated. An excerpt

Avenue Magazine featured Zoe Buckman in their article on a generation of current female artists. The article focuses on women who disrupt the status quo with their involvement in the art world, using their strong voices to express timely statements about women and marginalized groups. The article calls Zoe Buckman one of these voices. An

This Art Portrait from the Editorialist features Zoe Buckman among other artists. It explores Buckman’s relationship to her art, why she chooses neon as a medium, and her upcoming shows. See the full portrait here.